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fashion, General Jabber, Just Jess, Lifestyle, Trending

Coachella: The Influencer Olympics or Just a Sign of the Times?

by Jess DaviesLeave a Comment on Coachella: The Influencer Olympics or Just a Sign of the Times?
Coachella: The Influencer Olympics or Just a Sign of the Times?

I bounce down the dusty path with a rhythmic strut on, influenced by the poolside champagne mules and desert-dry sunshine. To the left of me is the most beautiful woman I’ve ever seen. To the right of me? The most beautiful woman I’ve ever seen. In front of me? You guessed it, another female competing for the title of being the MOST BEAUTIFUL WOMAN I HAVE EVER SEEN. I have never seen so many good looking people in one place, and I’ve been in a lot of situations which involve good looking people. We que up by the gates waiting to slither through the electronic security scanners (UK Festivals take note… or don’t?). My see thru’ pale eyes are blinded by a sea of diamanté netted dresses with nothing but a black thong bikini underneath. Shell suits and bucket hats don’t quite cut it here when it comes to the epitome of festival fashion. “OH NO! WE’RE GOING THROUGH THE GA (general admission) ENTRANCE” a group of girls behind me gasp as it dawns on them they’re at the wrong gate and they’re at a high risk of catching cooties from the ghastly commoners who grace the general grounds, who paid just $500 for their ticket, instead of getting it for free from a brand.

Security cleared and the bag (entry) secured, I weave my way through the impressive art installations and even more impressive collections of individuals, all huddled around the infamous Ferris wheel trying to get that perfect Instagram shot. I want in on the fun. “Will you take one of me with the wheel?” I ask my agent (lol joke, my friend) rhetorically, not waiting for an answer as I thrust my camera into her hands. “Yeah can you like, get lower? Get the wheel in. Make my legs look skinny. How’s it looking?” In my head I look like all those other girls. You know the ones. With the perfect silhouette. The best background. The impeccable lighting. The face-wide smile. My friend hands back my phone and as we huddle around to look back at the ahem-magic- of which we’ve most certainly just created, we can’t help but burst out into infectious laughter. What the fuck is that. A Victoria’s Secret Model I ain’t. “It’s not quite the image I had in mind” I manage to mutter through the breaks for air in the childlike giggling. Not willing to take all the credit for the god awful creations, my friend isn’t a professionally trained photographer either, and what we thought would be the next hottest post on the gram’ turned out to be more “wham, bam, no thank you ma’am”. “It must all be in the editing” my friend comforted me, whilst lying through her teeth. But then again you see, it really kind of is in the editing. And the model of course. And the photographer. The lighting. The app. The location. The filters. The camera. What attending Coachella taught me is that the images you see on Instagram- well, they’re fake. There’s always a million people around you, whilst these influencers manage to be in a half empty field (or not at the festival at all). The lighting isn’t a bleached app hue and everyone doesn’t live under a permanent state of a sun-kissed warm tone. This doesn’t mean I enjoy the festival any less, in fact it’s allowed me to give less of a shit about comparing myself to the impossible professionally taken and edited Instagram posts I see online, and accept that the magic I can create with my face, a Judy and an iPhone 8s is a little bit different than what the girls being sponsored to be at the festival and being followed by agents, social media managers, content creators and professional photographers can produce- and that’s alright by me.

The not-so money shot.

We worm our way through the flower bed of influencers to collect our ID band- a tradition which has not been passed on to it’s British equivalents. This is my fourth time visiting Coachella (I know, I’m a lucky sod) but each year without fail the individual blessed with the importance of checking my pink plastic will still squint at me with a judgemental glare, and act as if they’re doing me a favour granting my 26 year old self exclusive access to the sweet fountain of alcohol that awaits. The alcohol system they have in place at the festival is one of the most obvious differences to me as a beer guzzling Brit. Whilst in a UK festival you’d be handed a warm can of Amstel for a fiver, here cold beer is on tap, which I guess is why you pay $11 a pint (this is the cheapest drink you’ll get btw, so you better get comfortable with it). If ever we decided to splash out and get the $18 *gulp* tequila shots in, then buy either State law or maybe just plain boring festival rules, they have to serve it with ice so you can’t just neck it- which kind of defeats the point. Then, in typical American fashion, there’s the awkward “How much do you want to tip?” Screen which flashes up and glares at you with it’s readily marked percentages. SOZ to say but not sorry to admit it, by pint 3 we’d reached British confidence level of selecting “no tip” and scurrying off before the server could give us the evil eyes. I know, I get it, we’re bad people. But you’ve literally handed me a readily poured pint whilst barely raising a smile, and quite frankly that’s just not enough to get a British person to part with their hard earned ca$$$h. Shuffling along with our tail between our legs and a pint in our hands, we find a spot to enjoy the liquid gold in our cups. Except we’re limited for seats. Because for some reason which I’m yet to fathom why, you’re not allowed to take alcohol out into the main area. Fenced in like cattle, you’re confined to the grounds within these white walls. Which might not be a problem for the average tee-total member of generation Z, but for two booze-guzzling Welsh women it certainly switches up your festival experience. There’s nothing better than the sun beaming down on your glittered and sunburnt scalp, a luke-warm pint of Carlsberg in hand, watching some indie-band playing songs you’ve never heard of whilst you’re being rained on by liquid which you hope is just beer, but in your heart know the likelihood is that it’s someone’s piss. But those sweet UK festival memories will not be made out in the desert; in fact it seems no one really gets steaming here at all. We succumb to defeat and find a spot in our pen to watch the main stage from, and that’s where we’ll set up camp for the next three days of the festival (you’ll notice on my Coachella vlog that all the clips of artists are filmed from the exact same angle – the bar!).

Where do all these people go in everyone else’s Insta posts?!

All around us people are posing for pictures. One girl is sprawled out on the floor, another is holding up a product, someone else is pretending to walk whilst going nowhere. Coachella is the only place in the World where you can look like an egotistical twat, and no one can judge you for it. But for all it’s fake-assery and pretentious-ness, there’s something about this festival which draws me back every damn time. The location is beautiful. The guaranteed sunshine changes your whole mood. There’s a laidback vibe to the place (this might have something to do with the stench of weed everywhere you turn). The art installations are incredible. The organisation is smooth. The acts are great. It’s just a bloody great place to have a bloody great time. I’ve seen influencers posting about how “it’s not what it seems” or “how it’s not fun anymore” and I understand everyone has a different experience, but your personal experience will be what you make it. Sure, everyone’s after that money shot for their gram’, but isn’t that just a sign of the times we’re in? People take pictures of the chicken nuggets and chips their mums made them for dinner, of course you’re going to want a picture next to a 100ft moving Astronaut. But it’s not all content creation and posing for photos. All around there are tens of thousands of people that are enjoying the music and making memories with their friends; soaking in the atmosphere and forgetting about how many likes their new post has got. If you’re being paid to be there, under the pressure of getting content to post for your sponsors and having to take separate outfits with you just to get a decent promo’ pic, then yeah, you’re probably going to have a shit time. But if you’ve been dreaming of visiting this magical place in the desert, to party with your friends and have a holiday of a lifetime, then go, and make it what you want it to be. Plus, imagine how good your Instagram feed will look afterwards. It’s a win, win if you ask me.

Catch my Coachella and LA Travel Vlog, going LIVE on YouTube Tuesday 30th of April!

Two beer’s in and Instagram content secured, you can rest in the knowledge that we were having a bloody great time.
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fashion, Feminism, General Jabber, Just Jess, Lifestyle, Political, Trending

Body positivity: Can it outlive the turnaround of fast-fashion?

by Jess Davies3 Comments on Body positivity: Can it outlive the turnaround of fast-fashion?
Body positivity: Can it outlive the turnaround of fast-fashion?

So you have a body. And you’re positive. Congrats, you’re body positive. But I want to delve deeper into this public display of acceptance which is sweeping Instagram and leading brand campaigns, and see if body positivity can outlive the cut-throat turnaround of Fast Fashion, or if it is just another trend to be cast aside to the bargain bin with stretch chokers and disco pants.

The fast-fashion industry is currently riding a wave of self-acceptance, with industry power houses Missguided and PrettyLittleThing taking the lead with their inclusive campaigns. Featuring “plus” (I won’t dive into the irony of celebrating “everybody” whilst listing them as plus size aka bigger than “normal”) sized girls and those with “imperfections” (Are freckles really a flaw?) these brands promise to encourage you to “Keep on being you”, but what happens when the trend runs thin, does the acceptance and positivity disappear too?

This isn’t a straight topic, and it doesn’t have a black and white answer. I know the counter-argument will be that the hope is these brands will continue to move forward with their inclusivity, and the trend will never die. But this is fashion. And what’s hot right now will be more, not, in a couple months time. You see, my issue is- I struggle with the authenticity of the body pos’ movement within the fashion industry, and how they claim to represent all women and men, whilst well, not representing all women and men. Is that even possible? And is the industry venturing into murky waters- making fashion all about the models, instead of the clothes they’re wearing?

The inclusion of models who are a variety of sizes is and should be- welcomed in fashion, and in all aspects of advertisement for that matter. But there is a salty-ness in the air towards the models who have traditionally been represented. Get this girlfriends, we can lift ourselves up without putting anyone else down. Sounds crazy right? The example which stands out for me on this dates back to when I was watching the Lorraine show a year or two ago. She had Hayley Hasselhoff, a “plus” sized model on who was discussing her career after recently attending one of the many fashion weeks held Worldwide. Both women gagged and cackled at how “those other models look like they need to eat” and that “they were probably starving backstage!” All the while whilst championing body positivity and applauding women for their confidence. In typical “millennial being offended by everything” style I sent out a tweet highlighting the irony in their display, in which Hayley replied something along the lines of how “it wasn’t intended like that”. And I’m sure it wasn’t. But here’s where it get’s confusing. Body positivity is not engrained in us. Society has not raised us through generations to look at every body as being beautiful. To look at our bodies as being beautiful. Subconsciously, we forever lift one ideal up by stamping on another. Comparison and competition is within our blood. And a couple of money-making campaigns encouraging us to “feel good” is not going to knock the ancient judgement out of us. Is it really possible for us as a society to embrace and accept our bodies as beautiful?

A more recent example of this is US-underwear brand Knix and Simply Be’s “We are all Angels” campaigns who, using ‘plus-sized’ models, launched a press campaign alongside the annual Victoria’s Secret show which took place last month. The problem with this statement is: No we’re not. And that’s okay. We don’t all need to be angels or held at that standard. We are after all, more than our bodies. This may be controversial, but there is a reason that these women are positioned on a hierarchy on this specific platform- they work fucking hard for it, their whole career’s, to walk that one show. The VS brand is built on striving for the out-of-this worldly looks of the angels, it was never created to be relatable or to represent “real” women (That expression in itself grinds my gears- you identify as a woman? You’re a real woman. Simple as) As their head of creative Ed Razek controversially stated, the show is intended to be a 42 minute “fantasy”. Now, this absolutely does not mean I don’t think there should be a more diverse representation on the VS catwalk; And for Ed Razek to argue that “no one had any interest” in seeing plus size girls in the VS show because of an unsuccessful attempt to cast over a decade ago is out of sync with the industry and it’s new direction. However I’m just calling for models to be cast because they’re good at their job (HELLO Ashley Graham and Iskra Lawrence as perfect candidates for this!), instead of using models to fulfil and push a political agenda that doesn’t adhere to their brand image. I also strongly believe that VS should never rule out using transgender models because these women are fucking taking over the World right now, and Carmen Carrera would slay those angel wings. However, this time of year always see’s “pro body pos'” brands come out to attack the angels with counterpart campaigns and it just does not sit well with me. We can all feel beautiful and accept ourselves for who we are, without quaffing at the achievements of others in return.

Lane Bryant’s “I’m No Angel” Campaign

Another side note to this is the argument that these VS models represent an unrealistic body image. Being 5ft 11 inches, with long legs and a 30 inch’ hip width is unrealistic to me. As is the opposite end of the spectrum. But this doesn’t mean it is unrealistic to every single person out there. Being impeccably ripped is unattainable for me, because I won’t put in the hours to achieve this, but it’ not unachievable. Someone out there will put the hours in, and will achieve and attain that body image. It just won’t be me. And that’s fine. We need to be careful with who we alienate and who we are putting down when we are attempting to applaud multiple beauty ideals. Seriously, what do you mean by a real woman? I fucking hate when people use that phrase.

Another one of my issues with the body pos’ movement is its representation of sizes. You have your slim (size 6-8) and your “plus” (size 16-18), but where the fuck is the middle people? Where are the women that me and my friends can relate too? Yes, it’s time to get out your tiny violins folks and check my priveledge, but in all seriousness the industry seems to ride this body pos’ wave for profit by using one extreme representation to another. These brands drill into us that we are all beautiful, whilst ignoring an array of sizes and heights and shapes and curves. And I’ll be damned if I see a 5ft 4′ girl with huge tits, or a pear-shaped “plus” sized girl grace the campaigns of these brands. SURE they’re using females who are more shapely than the traditional castings, but these women are still models. They’re still perfectly in proportion and fit into their sample size whilst being 5ft 11′ with perfect teeth. Of course they’re fucking beautiful. That’s their job. We sit at home scoffing in excitement that a brand uses someone with stretch marks who’s face was carved by the Gods and forget that although we can relate to these small flaws, these women were picked from an agency who accepted them onto their books because of their model-esque beauty. I’m not saying this is wrong. There is a reason models are models. But the way these brands capitalise on “normal” peoples’ insecurities whilst using ridiculously beautiful women seems hypocritical to me. Just don’t mention it, and use them as the norm. Make them as aspirational for us as consumers as any other model used is, instead of attempting to make us relate to these goddess-like females on a “we both have stretch marks” level to sell a couple of GRLPOWER tee’s.

And lastly, my question is HOW? How do I feel beautiful in your clothes when they’re still too long for my short stumpy legs? How do I feel confident in your tops when my boobs poke out the bottom? How do I “make my mark” when I can’t get these jeans up over my hips? You can throw all the two-minute body pos’ campaigns at me in the World, and I’ll still feel shit about my rolls and how your sizing is off, forcing me to buy a size bigger and feel even shitter about myself than before. Cater to what you’re trying to achieve, we are begging you. So what happens now? Where do we go from here?

Savage X Fenty are leading the way with their body positivity and creative direction

A brand who I believe is leading the pack when it comes to body pos’ right now is Savage X Fenty by Rihanna. Their debut fashion show showcased women of all shapes, sizes, skin colours, and even some heavily pregnant models. The show withheld an aspirational and inspirational ideal of beauty and fashion whilst representing all females. The products and design element were not pushed aside for a political agenda and the creative aspect of the catwalk was simply iconic. If anyone needing schooling on how to empower all women to feel sexy, then this is the brand for you. However even Rihanna can’t bypass criticism when it comes to this movement. The brand has been criticised for promoting their products using ‘plus’ sized girls, whilst their sizing only goes up to a DD. And some of the images used to promote their underwear has seen women’s boobs poking out the bottom of the bra’s and overflowing at the top, begging the question are they really catering for all women, or pushing this as an agenda to drive sales?

The issue with body positivity, is that you can’t please everyone. It is impossible to represent every single shape and size and height and imperfection in the fashion industry. And whilst diversity should be applauded, no amount of fashion campaigns can make me love my cankles, or make me not have to turn my trousers up for being too long. Brands make these bold statements preaching how we should all love ourselves, without giving us the steps on how to get there. And of course they haven’t, they’re fashion brands, not our therapists. But when claiming ownership towards our feelings through their campaigns, these brands need to take some responsibility of the sheer volume of the task they’re putting upon us. Self-love is not a cash cow, and there’s no quick fix. I hope as the industry continues to evolve that the inclusion of diversity in all forms expands and that the underlying sentiment of these campaigns are of good intentions, and not a trend that will be cast aside along with our feelings when the Kardashians decide to claim curves are out next season.

fashion, General Jabber, Lifestyle, Trending, Work ting

Less Fast, More Sass: The Fashion Revolution

by Jess Davies1 Comment on Less Fast, More Sass: The Fashion Revolution
Less Fast, More Sass: The Fashion Revolution

Hi , my name is Jessica Davies and for 10 years I have been a slave to fast fashion. Phew, it always feels better when you say it out loud. For as long as my bank account can remember, I have been a whore to cheap online stores who lined my inbox with flash sales and 50% discounts. From splashing my Saturday job wages (all £15 a day of it) on Boohoo when I was 15, to Missguided hauls as a skint 18 year old student and right up to my present ancient 25 year old self, panic-buying cheap last minute festival garms’ on PrettyLittleThing; it may come as a surprise to some of you but I am a huge bargain hunter when it comes to fashion. 95% of the time I’ll only ever buy if there’s a sale on or if I have a discount code. Seriously, has anyone ever sorted their browsing by Price High>>>Low?! I am constantly scouring the internet for 20% off coupons and a last minute under £20 night-out look that I can spruce up by painting a decent face and throwing on some trusty *bigger the hoop, bigger the hoe'” hoops.

My flat is filled with Ikea bags over-flowing with clothes, clothes that I barely even like, clothes that I brought because I would rather spend £15 on a dress I tolerate than upload a picture on Instagram of me in the same dress I wore out two months ago. I will openly admit that I have bought more clothes than I need, more clothes than I could ever use. And the problem is, brands have made it so fucking easy for me to do this, I would even say they encourage it. Enticing me with secret sales and infiltrating my phone with their apps and early access codes; paying influencers to front their campaigns and flooding my social media with promotions and celebrity “edits”. Instagram has exploded fast-online fashion to astronomical sales, but what may have been on-trend this week, can end up in the basement bin by tomorrow morning. Because as soon as Kylie Jenner stops wearing it, we all move onto the next style like an army of cycling-short baring, corset-wearing disciples, desperate to grasp on to some sense of celeb’ luxury without the burden of luxury prices. So where does all our unwanted, throw-away cheap clothes end up? The answer doesn’t lie in fobbing’ off all our shitty items to charity shops anymore because well, they’re just shitty. The cool kids that shop in thrift stores are searching for garm’s worthy of an Instagram post, not a faded graphic tee adorned with last months phrase of the week (RIP to all the Love Island T-shirt’s, but srsly, please stop buying these) and unfortunately the reality is, most of our £3 tee’s end up in swanning around in landfill. In fact, it is estimated that £140million worth of clothing goes into landfill each year. So exactly what burden is this forever changing, cheap fashion having on our World? And what can we do to help change this?

The other week I watched Stacy Dooley’s new documentary, where she investigates fashions dirty secrets and dives into just how much damage throw-away fashion is having on our planet. One of the most-shocking finds in the doc’ was that fashion is the second most-polluting industry in the World, alongside the oil, coal and automotive industry. Another staggering statistic from the show was that it could potentially take over 15,000 litres of water to grow the cotton need to make a single pair of jeans. An insane figure in which I could never fathom when I ‘throw’ on (I wish it was this easy to get a pair of jeans over this ass- and those cankles) my pair of £20 ASOS jeans. Toss in some breath-taking imagery of a dried up sea-bed in Kazakhstan due to water being diverted to fend for cotton fields, and visiting one of the World’s most polluted rivers in Indonesia which runs alongside some of the most in-demand clothing factories used by top High-Street brands, and it is clear to see the substantial impact our desire for low cost, seasonal fashion clothing is having on the environment. So what are the big brands doing about this? Well, unfortunately not a lot it seems. Many of the top names including Primark, ASOS and Topshop all refused to provide a comment on their commitments, or lack of, to help maintain a more sustainable fashion industry. And this is where our call to arms comes in, folks.

After this aggressive wake-up call to the impact my shopping habits are having on our planet, I’ve tried desperately to cut down my purchases on the sites mentioned in this post. I’ve turned off notifications to the apps and forced them into a small folder on my phone where they’re not constantly staring back at me (No, I haven’t completely deleted them yet- baby steps). I’ve revisited my wardrobe and picked out some of my favourite pieces I already own- some which still have the tags on them- and started wearing them more than once. I even posted an Instagram pic in the same outfit this week- BIG MOVE MY FRIENDS. And you know what? No one batted an eyelid.

Outfit Recycling. January 2018, November 2018.

But perhaps my favourite (definitely my favourite) conscious fashion change I have made so far is my switch to shopping in vintage stores. Dye my hair pink and call me a #hipster, for I have sinned against the high-street giants. I’ve always loved vintage-esque’ clothes: oversized printed shirts, floral dresses and baggy Levi’ jackets are all staples I have adopted into my wardrobe over the years but the popularity of #retro garms has seen the price for anything listed as “vintage” soar on sites like Depop and Ebay to levels my tight-pocketed self could not correspond with. This is where my new found love of kilo-sales comes in. Kilo sales are where you pay per the weight of your items, instead of each item holding a value. This is the holy grail of my fashion whore-ness. Low price, staple-making fashion which is sustainable and recyclable. UNHHHH. These take place in pop-ups around the country, and as more permanent stores. Also, don’t rule out charity shops to find some hidden gems. The great thing about clothing is that it can be washed *shock face* so buying something second hand really isn’t the end of the World. It’s time for a Fashion Revolution. Raid your parents, your grandparents (it’s okay, this is cool now), your siblings wardrobes. Swap and switch your clothes with your friends. Say au revoir to the shaming of wearing clothes more than once and welcome the feeling of falling in love with your clothes again. I’m not declaring that I’m going to stop shopping in high-street or online stores anymore because well, I’m a realist, and I’m a sucker for on-trend fashion and good deals. In fact, *confession* time, but whilst researching some flash sales for this blog post I was drawn in by NastyGal’s 50% off store-wide offer and ordered two dresses well, just because I liked them. I’m an addict in recovery guys, I haven’t made it over the hill yet. But next time you buy something off these sites or high-street stores, especially in the thrill of Black Friday season, buy it because you love it, and because you’re going to wear it until it falls apart, and not because it’s a quick fix outfit for a Saturday night, or just because it’s on sale. Those trends wear thin pretty fast.

Keep an eye out for my posts on my vintage finds coming soon.

Check out wrap.org.uk for more information on sustainable fashion.

General Jabber, Just Jess, Lifestyle, Modelling, Self-Help, Social Media, Work ting

Life as a Glamour Model: Accepting your career is over.

by Jess Davies18 Comments on Life as a Glamour Model: Accepting your career is over.
Life as a Glamour Model: Accepting your career is over.

Accepting your career is over is something you never want to have to face, not this early on in life anyway. All the long lusted ideals of what your life will be like, the high hopes that you’ve hung your dreams upon and the promised land in which you never got to travel disappear from your eyesight. It’s over. I am no longer a model.

It’s a tough pill to swallow. Especially when you are still so in love with your craft. Of course, everyone knows that there is a time limit to this career path, no one stays young forever they say. But the problem is, I still am. Whilst a lot of things in my life felt uncertain, my career was not one of them. I knew exactly what job I wanted, and I was as determined as anyone could be for success. I fell in love with modelling, fuck I fell hard. I loved every single moment of it. From the 5am Megabus’ to London and the castings in office cupboards, to the dodgy locations (yes FRONT mag) and even dodgier styling. The good always outweighed the bad when it came to this profession, always. I knew I was never the prettiest, the tallest, the skinniest, but I was adamant that I could make up for this through my boldness and fortitude in my love affair for this role. I faced off time and time again with rejection, yet each battle played a collective part in my story, building up a beautifully tragic puzzle of euphoric dreams and delusion.

Image by Harris Nukem

Being booked for a photoshoot was my Apollo 11. I was being paid to live out my childhood fantasy. I could never quite believe my luck. Each job was a journey, navigating at different stops. The first station would be hair and make-up, boy I loved this one. I would carefully soak in the craftsmanship, absorbing as much detail as I could on how to create the perfect smokey-eye. Each time without fail my eyes would water, their glazing blue-ness too sensitive for all the poking and prodding. I would sit there apologising, all red-eyed and irritated, clenching my fists praying that the tears wouldn’t fall and ruin the masterpiece which had adorned my face. The next stop was wardrobe, which usually consisted of various items of clothing spread out on the floor. “I hope I get that one” I’d think, waiting patiently for my look to be pieced together. I very rarely got “that one”, but I didn’t mind. I observed the stylist’s moves, their precision and eye for detail. Pinning and tucking, clipping and steaming. They minded every tag and seam with such an air of responsibility. The last stop put me in front of the camera. The holy grail. This is what it all came down too, this is what it was all for. Stepping on set always set off a wave of imbalance within me, a convulsion of hysteria and a dreaded feeling of don’t fuck it up. It was always in the back of my mind that this one shoot, this one job, could get me noticed and lead to my big break. That was both utterly terrifying and wholly spine-tingling. The photographer embeds their knowledge within you; chin up, back curved, towards the light, mouth a tad open. Their ability to execute an image in their mind to a living, breathing artwork in front of them is a demonstration of pure excellence. Anyone can pick up a camera, but only these select few are artists. Stepping off-set I would feel excited and drained. What if the pictures aren’t good enough. But as always, the good outweighed the bad, and I would leave the shoot feeling as if my dopamine levels had burst out of my brain. I want to feel this happy at work forever. I wish I hadn’t taken those days for granted.

Image by Matt Comer

Your life begins to build up around this path you’ve chosen. Your best friends become girls that you model with. Your travelling buddies become the make-up artists and stylists. Your agent becomes your second mother. Your drinking companions become the photographers. You meet up outside of work just because you want too. These people know all your secrets and your stories, your desires and your ambitions. You’ve shared life-changing experiences and travelled the World alongside them. You’ve created this whole family dynamic around you, and then one day, it’s just sort of, gone.

No one really warns you when your World is about to come crashing down. It doesn’t all happen at once. Much like a cliff repeatedly battered by the ocean, it silently erodes away piece by piece until one day you look up and nothing is there. This final stage of rejection is not one that I can accept so freely. I never fell out of love with modelling, but it fell out of love with me. The glamour industry evaporated and the other sector’s turned their back. You don’t fit the bill anymore, your job does not exist. I wish I had done more. I wish I had put myself out there more instead of spending so long feeling shy and uncertain of who I was. I wish I had spoken up and shared with my colleagues how much I really loved this job, this role as their fellow companion. The one thing left behind from my modelling days are my social media followers. But unfortunately this means I have to face trolling and negative comments about my looks, whilst no longer reaping any of the benefits that come with the job. I imagine it to be much like the career of a sportsman, through injury or old age (if you can call it that!) their time abruptly stops and they’re thrown back into the deep-end to try and forge a new path. Except when you’re a model, your passage has become blocked. Companies and brands don’t want to work with ex-glamour girls, and you’re once again running against the wind, trying to catch a break.

I’ve built up a plethora of knowledge through my experiences in this industry. I can, and have executed entire projects for brands from on-set shoot management, sourcing and casting, to client liaison, styling and production (you can check out some of my work here btw). But gaging respect from others as an ex-model is still something I struggle to find. The support network does not exist whilst the judgement unfortunately does. Life sometimes feels like an uphill battle and facing that your career is over as a 25 year-old, whilst feeling like you have so much left to give, is a hard wound to heal. I wrote this blog whilst tearing up, this really was my world. To many this may seem a bit silly, but starting from the bottom when you were so close to the top is a scary thing to face. I hope that I can be the exception and break away from the mould that us ex-models are forced into and forge a career behind the camera. But until then, I’ll continue to blog about my experiences through a new series I’ll be featuring called ‘THE MODEL DIARIES.’ Keep an eye out!